Headline. Scoop. Byte. Edition. These words are familiar with all journalists. For a layman it’s the newspaper that he reads finally counts. A photojournalist-turned-director, K V Anand, with ‘Ko’, has rendered a movie that is like reading a newspaper fresh and folded very early in the morning from page one till the last.
Journalists are until known to be portrayed in a cliched manner in Tamil cinema, wearing a pyjama kurtha, spotted with a beard carrying a long shoulder bag. Times have changed and so are the lives and struggles of journalists.
With ‘Ko’, Anand has turned the arc light on the unsung heroes of modern India, the neo-journalists, their dedication and passion towards the profession.
Anand has proved his mettle coming with intense thrillers with great detailing, thanks to writers Suba in his side as it was evident in ‘Kanna Kandein’ and ‘Ayan’.
‘Ko’ speaks about power struggle and press freedom, laced with all commercial ingredients in an interesting manner. All credits should go to the script and screenplay. Tautly written, there are hardly any logical loopholes.
Be it a hardworking scribe or a photographer who are chasing sensation news, a power-lust Chief Minister, or an opposition leader, or a youth who wants to change the political system, all characters do have a say in the film. Anand has woven all of them craftily.
The movie revolves around Ashwin (Jeeva), who is a talented photographer in a Tamil daily Dina Anjali. He is the sought-after lensman in his newspaper for his images speak a thousand words and bring awareness.
There are a couple of other journalists in the same media house- Renuka (Karthika), who covers sensational events and entertainment -in-charge Saro (Piya). They develop an affinity for Ashwin.
A battle begins in Tamil Nadu as Assembly elections are announced. It becomes a direct war between Chief Minister Yogeswaran (Prakash Raj) and opposition leader Alavandan (Kota Sreenivasa Rao). As typical politicians, as they are portrayed, they do everything under the sun to come to power.
But Renuka and Ashwin’s brilliant investigative reports and photographs, help a third force led by youth Vasanthan (Ajmal) emerge the front-runner. He is a symbol of modern Indian youth who believes in clean politics.
At an election rally of Vasanthan, a bomb goes off killing Saro. Vasanthan goes on to win the polls. Now the onus falls on Ashwin and Renuka to find the real culprits behind the attack. Get ready to watch an unpredictable climax.
Jeeva is impressive and played his part exceedingly well. He looks a typical photojournalist. His body language and dialogue delivery are worth a watch. An intense performar, Jeeva pulls it off with ease.
Karthika as Renuka brings out the nuances needed for the role well. She has not exaggerated. She downplays her emotions to gel with the character. Ajmal is a revelation as an aspiring politico Vasanthan. His looks compliment the character.
The veterans Prakash Raj and Kota Sreenivasa Rao have played their part well. They have given right emotions needed for the roles. Piaa in the supporting character is adequate. Watch out for Sona in a cameo. Chinmayi’s dubbing for Karthika is apt.
Harris Jayaraj is a major attraction. All his songs pep up the environment. ‘Ennamo Yedho…’ is pick of the album.
Anand deserves all accolades for rendering a brisk entertainer that is devoid of cliches. Racy all through, it is a movie that is worth a watch, if you are really not bothered about logic at certain places.